Nice
—
David Zwirner Books
2024
—
with texts by Joshua Cohen, Jonathan Crary, Éric de Chassey, Su Wei, and Lynne Tillman
—
156 pages
11.375 × 9.875 inches
Hardbound
Printed in Italy

Why Is a Mushroom Growing in My Shower?
—
David Zwirner Books
2024
—
with text by Suzanne Hudson
—
128 pages
14.25 × 10.625 inches
Hardbound
Printed in Italy

Tecelares
—
The Art Institute of Chicago
2023
—
Edited by Mark Pascale
with essays by Adele Nelson, Mark Pascale, and María Christina Rivera Ramos
—
176 pages
10.625 × 9.25 inches
Hardbound
Printed in Spain

—
The Metropolitan Museum of Art
2022
—
Clare Davies and Briony Fer
—
172 pages
10 × 9 inches
Hardbound
Printed in Italy
—
Selected as one of The New York Times
Best Art Books of 2022

Reaction
—
Dancing Foxes Press
Hessel Museum of Art, CCS, Bard College
with the
Miller Institute for Contemporary Art
2022
—
Essays by
Lauren Cornell, Erika Balsom, Alex Kitnick, Giampaolo Bianconi, Jordan Carter, Elizabeth Chodos, and Legacy Russell
—
168 pages
10.5 × 7.5 inches
Hardbound
Printed in Germany

Enter the Center
—
The Tang Teaching Museum and Art Gallery
2022
—
Ian Berry
with texts by Andy Campbell, Lauren Haynes, and Bernadette Mayer
—
128 pages
11 × 7.75 inches
Hardbound
Printed in Italy

Slow Jamz
—
Neuberger Museum of Art
2022
—
Tomashi Jackson, Rachel Uchill, Janiva Ellis, and Kandis Williams
—
112 pages
10 × 8.375 inches
Hardbound
Printed in Spain

—
The Frances Young Tang Teaching Museum and Art Gallery
2020
—
Edited by Isolde Brielmaier
—
276 pages
9.5 × 7.5 inches
Softbound
Printed in Italy

—
David Zwirner Books
2020
—
Contributions by John Yao
—
56 pages
11.5 × 9.75 inches
Hardbound
Printed in Italy

Camino Real
—
David Zwirner Books
2020
—
Essays by Brenda Danilowitz and T’ai Smith
—
120 pages
10.5 × 8 inches
Hardbound
Printed in Italy

Energy Field
—
The Frances Young Tang Teaching Museum and Art Gallery
2020
—
Ian Berry
with Mike Albo, Amelia Bande, Julia Bryan-Wilson, Liz Collins, E.V. Day, Leah DeVun and Laurel Siegel, Jennifer Kabat, Shelley Marlowe, Eleanor Rochman and Jessica Pavia, Peggy Shaw, SKOTE, and Laurel Sparks
—
128 pages
12.5 × 10 inches
Hardbound with swiss binding
Printed in Spain

The Shape of Ideas
—
Philadelphia Museum of Art
in association with Yale University Press
2020
—
Timothy Rub
with Amanda Sroka and Kelly Grovier
Additional texts by Michael Auping, Arthur C. Danto, William Feaver, Sean Hunter, Donald Kuspit, and Deborah Solomon
—
256 pages
12.25 × 10 inches
Hardbound
Printed in Italy

—
Dia Art Foundation
2019
—
Edited by Béatrice Gross and Stephen Hoban with Katherine Atkins and Kamilah N. Foreman
Contributions by Alexander Alberro, Yve-Alain Bois, Benjamin H.D. Buchloch, Arthur Dayras, Béatrice Gross, Valerie Hillings, Roxana Ilías, Daniel Levin Becker, Morad Montazami, Lucie de Saint Blanquat, Erik Verhagen, and Megan Holly Witkin
—
240 pages
11.25 × 8.875 inches
Hardbound
Printed in Belgium

Herbarium
—
Prestel
2019
—
Giovanni Aloi
—
176 pages
12 × 10 inches
Hardcover
Printed in China

Migration through Contemporary Art
—
Institute of Contemporary Art/Boston
and Yale University Press
2019
—
Edited by Ruth Erickson and Eva Respini
with contributions by
Aruna D’Souza, Okwui Enwezor, Thomas Keenan, Peggy Levitt, Uday SIngh Mehta, Anni Pullagura, Warsan Shire and Ellen Tani
—
240 pages
11.5 × 8.75 inches
Hardbound
Printed in Singapore

A Retrospective
—
The Museum of Fine Arts, Houston and
Peréz Art Museum Miami
2019
—
Tobias Ostrander and Mari Carmen Ramírez
with contributions by Carolina Ponce de León and Gonzalo Sánchez G.
—
280 pages
12 × 9.875 inches
Hardbound
Printed in Spain
—
Selected as one of The New York Times
Critics’ Top Art Books of 2019

Video Art From Israel
1970–2012
—
The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College
Artis
2019
—
Chen Tamir, Ilana Tenenbaum, Sergio Edelsztein, Avi Feldman and Yael Bartana
—
196 pages
10 × 8 inches
Softbound
Printed in Italy

The Downtown Gallery and
the Rise of American Art
—
The Jewish Museum
Yale University Press
2019
—
Rebecca Shaykin
—
232 pages
11 × 9 inches
Hardbound
Printed in China
—
Selected as one of The New York Times
Critics’ Top Art Books of 2019

Perfect Stranger
—
Pérez Art Museum Miami and DelMonico • Prestel
2017
—
René Morales
with contributions by Rochelle Steiner and Ali Subotnick
—
216 pages
12 × 9.5 inches
Hardbound
Printed in Germany
 

375 Works from the Museum of Modern Art, New York
—
The Museum of Modern Art
2019
—
408 pages
8.25 × 5 inches
12 language editions
Softbound
Printed in Belgium

Defining Photographs from the Frances Lehman Loeb Art Center
—
The Frances Lehman Loeb Art Center
2019
—
Mary Kay Lombino
—
128 pages
10.5 × 8 inches
Hardcover
Printed in Italy

The Art of Bill Viola
—
The Barnes Foundation
2019
—
John Hanhardt
with contributions by Thomas A. Carlson and Kira Perov
—
176 pages
11 × 9 inches
Hardbound
Printed in China

An on-going series of publications for the Tang Museum
—
Opener 31: Tim Davis
-
Opener 30: Njideka Akunyili Crosby
-
Opener 29: Arturo Herrera
-
Opener 28: Erika Verzutti
-
Opener 27: Beverly Semmes
-
Opener 26: Jeff Sonhouse
-
Opener 25: Carrie Moyer
-
Opener 24: Hildur Ásgeirdóttir Jónsson
-
Opener 23: Pam Lins
-
Opener 22: Whiting Tennis
-
Opener 21: Suzanne Bocanegra
—
Tang Teaching Museum and Art Gallery
2011–present
—
Page count variable
9.25 × 6.875 inches
Hardcover
Printed in Italy

And the Promise of Photography
—
Carnegie Museum of Art
2017
—
Dan Leers
with contributions by Larry Schaaf
—
96 pages
10 × 8.375 inches
Hardbound
Printed in Belgium

—
Studio Museum of Harlem
2017
—
Connie H. Choi and Hallie Ringle
with texts by
Eric Booker, Charmaine Marie Branch, Jessica Bell Brown, Dessane Cassell, Erin Christovale, Yasmine Espert, Alex Fialho, Ciarán Finlayson, Uchenna Itam, Danielle A. Jackson, Ashley James, Lucy Mensah, Rachell Morillo, Oluremi C. Onabanjo, Jared Richardson, Lilia Rocio Taboada, Terence Washington, Adeze Wilford, and Doris Zhao
—
128 pages
12 × 9 inches
Softbound
Printed in the United States

Master of Time
—
The Rubin Museum of Art
and
The Frances Young Tang Teaching Museum and Art Gallery
2018
—
Elena Pakhoutova,
with Benjamin Bogin, Lewis Doney, and Daniel A. Hirshberg
—
176 pp
11.75 × 10 inches
Hardbound
Printed in Belgium

A Critical Anthology
—
The Museum of Modern Art
2018
—
Ana Janevski and Roxana Marcoci with Ksenia Nouril
(editors)
—
408 pages
9.75 × 6.5 inches
Softbound
Printed in Slovenia

Abstraction
—
Neuberger Museum of Art
2017
—
Tracy Fitzpatrick
—
112 pages
10 × 9.75 inches
Hardbound
Printed in the United States
 

Form Into Action
—
Pérez Art Museum Miami and DelMonico • Prestel
2016
—
Estrellita Brodsky
with contributions by Rodrigo Alonso, Valerie Hillings, Julio Le Parc, and Edward J. Sullivan
—
212 pages
11.25 × 9.5 inches
Hardbound with acetate dust-jacket
Printed in Belgium

—
The Museum of Modern Art
2016
—
Charles Silver
—
256 pages
10.5 × 9 inches
Softbound
Printed in Singapore

Jardim Botânico
—
Pérez Art Museum Miami
2014
—
Tobias Ostrander, Tanya Barson, and Paulo Herkenhoff
—
200 pages
10.75 × 9.625 inches
Hardbound
Printed in Germany

—
The Museum of Modern Art
2012
—
Eva Respini
with contributions by Johanna Burton and John Waters
—
264 pages
12 × 9.5 inches
Hard and softbound editions
Printed in Italy

An on-going series of books accompanying exhibitions in the Focus Galleries at the Pérez Art Museum Miami
—
John Dunkley: Neither Day nor Night
-
Michele Oka Doner: How I Caught a Swallow in Midair
-
Firelei Baez: Bloodlines
-
Victoria Gitman: Desiring Eye
-
Eugenio Espinoza: Unruly Supports (1970–1980)
-
From Revolution in the Tropics to Imagined Landscapes: The Art of Eduoard Duval-Carrie
-
A Human Document: Selections from the Sackner Archive of Concrete and Visual Poetry*
-
Amelia Paláez: The Craft of Modernity
-
Frames of Reference: Latin American Art from the Jorge M. Pérez Collection
—
Pérez Art Museum Miami
2013–present
—
Page count variable
10.125 × 8.375 inches
Hardbound
Printed in Germany
—
* Design Observer 50 Books/50 Covers

Shrine for Girls, 
Venice
—
Publication for a collateral exhibition of the 56th Venice Biennale
—
Silvana Editoriale
2016
—
Phong Bui, Ludovico Pratesi and Maura Reilly
—
64 pages
10.25 × 8 inches
Hardbound
Printed in Italy

—
Pérez Art Museum Miami
2015
—
Essays by Tobias Ostrander, Tumelo Mosaka and Édouard Glissant
Interviews with Hurvin Anderson, Yto Barrada, Zarina Bhimji, Tony Capellán, Ledelle Moe, and Xaviera Simmons
_
224 pages
9.625 × 7.125 inches
Hardbound
Printed in Germany

—
Rizzoli
2012
—
Thelma Golden, Robert Hobbs, Sarah E. Lewis, Brian Keith Jackson, and Peter Halley
—
248 pages
12.5 × 9.625 inches
Hardbound
Printed in China

—
The Frances Young Tang Teaching Museum and Art Gallery
Skidmore College
2014
—
Ian Berry and Jessica Stockholder
with Barry Schwabsky and Steven Henry Madoff
and contributions by Kim Rosenfeld, Tim Davis, Alan Wiener, Amanda Ross-Ho, Bill Jacobson, and James Hyde
—
96 pages
10.25 × 8.5 inches (overall)
Softbound
Printed in Germany

Ain’t Painting a Pain
—
Orange County Museum of Art
DelMonico Books • Prestel
2013
—
Dennis Szackas
Essays by Michael Darling, Jeffrey Weiss and John C. Welchman
Contributions by Hans Ulrich Obrist, Philippe Van Cauteren, and Fatima Manalili
—
304 pages
11 × 9 inches
Hardbound
Color separations by Echelon Color
Printed in Germany

If the Face Had Wheels
—
Prestel / Neuberger Museum of Art
2011
—
Contributions by Cary Levine and Helaine Posner
—
128 pages
10.5 × 8.75 inches
Hardbound
Printed in China

—
Prestel
2014
—
Naomi Beckwith, Donatien Grau, Jennifer Higgie, and Lynette Yiadom-Boakye
—
136 pages
10.875 × 8.5 inches
Hardbound

The Human Aura in Art
—
Frist Center for the Visual Arts
2015
—
Mark W. Scala
with essays by Martha Buskirk, Eleanor Heartney, and Lisa Saltzman
—
116 pages
11 × 9.5 inches
Softbound
Printed in Spain

Hopper to O’Keeffe
—
The Museum of Modern Art
2013
—
Essays by Kathy Curry and Esther Adler
—
144 pages
12.25 × 9.75 inches
Hardbound
Printed in Italy

Summer Days Staten Island
—
Damiani Editore
2015
—
Paul Moakley with A. H. Data
—
96 pages
9.75 × 12.25 inches
Hardbound
Printed in Italy

Before and Happily Ever After
—
Skira Rizzoli
2012
—
Contributions by Eric C. Shiner, Irving Sandler, Lisa Liebmann + Brooks Adams, Robert Storr, Griselda Pollock, and John Waters
—
256 pages
12.25 × 9.25 inches
Hardbound
Printed in China
—
Included on Huffington Post’s list of the Best Art Books of 2012 

To Build a House You Start With the Roof: Work 1972–2008
—
The MIT Press / Baltimore Museum of Art
2008
—
Contributions by Darsie Alexander, Tom Eccles, and Rachel Harrison
—
288 pages
11 × 9.5 inches
Hardbound
Printed in Germany
—
Winner, AIGA 50 Books/50 Covers

Oliver Herring
—
University Galleries of Illinois State University
2011
—
Oliver Herring
with contributions by Ian Berry, Kendra Paitz, and Kristen Hileman
—
176 pages
9.5 × 7 inches
Softbound
Printed in Singapore

Events Ashore
—
Aperture
2014
—
Notes by Geoff Dyer
—
168 pages
10.8 × 13.25 inches
Hardbound
Printed in Germany

The Roy R. Neuberger Collection
—
Neuberger Museum of Art
2014
—
Tracy Fitzpatrick
with essays by Nicole Bass, Eleanor Phillips Brackbill, Stephanie Corleto, Clare Elliott, Tracy Fitzpatrick, Carter E. Foster, Patrice Giasson, Genevieve Hyacinthe, Jennifer Kniesch, Julian Kreimer, Jane Kromm, Avis Larson, Gabi Lewton-Leopold, Kristen Lindberg, Michael Lobel, Maureen McLaughlin, Tyler Mahowald, Joan M. Marter, Helaine Posner, Irving Sandler, Jacqueline Shilkoff, Joshua Shirkey, Beth Silver, Kenneth E. Silver, Gail Stavitsky, Sarah Warren, and Karen Wilkin
—
276 pages
12 × 9.625 inches
Hardbound
Printed in Germany

Animating the Everyday
—
Neuberger Museum of Art
2014
—
Helaine Posner and Louise Yelin
with contributions by Leora Maltz-Leca and Tom Gunning
—
160 pages
9.25 × 11.25
Hardbound
Printed in Italy

Regrets
—
The Museum of Modern Art
2014
—
Christopher Cherix and Ann Temkin
—
72 pages
10.75 × 9.25
Hardbound
Printed in the United States

Shadow & Light
—
The Museum of Modern Art
2013
—
Sarah Hermanson Meister
with contributions by Lee Ann Daffner and Marley Blue Lewis
—
208 pages
10.75 × 9.125 inches
Hardbound
Printed in Germany

Neon in Daylight
—
Rizzoli
2014
—
Jenni Quilter
with Bill Berkson, Larry Fagin and Allison Power
—
318 pages
12.5 × 9.25 inches
Hardbound
Printed in China

Women Artists of the New Millenium
—
Prestel
2013
—
Eleanor Heartney, Helaine Posner, Nancy Princenthal, and Sue Scott
—
256 pages
9.25 × 7.5 inches
Softbound
Printed in Hong Kong
—
Included on Huffington Post’s list of the Best Art Books of 2013 

Geometry in Form, Space, and Time
—
Neuberger Museum of Art
2015
— 
Edited by Marie-Thérèse Brincard
Contributions by Patricia Darish, Christine Giuntini, Julien Volper, Christraud M. Geary, and Veren Traeger
—
144 pages
11.75 × 9.125 inches
Softbound
Printed in Italy

Public Walls as Studio and Source
—
Neuberger Museum of Art
2016
—
Avis Larson
—
48 pages
9 × 8 inches
Softbound
Printed in the United States

The Early Word of Richard Prince
1974–77
—
Neuberger Museum of Art
2007
—
Michael Lobel
—
64 pages
8.5 × 6.1875 inches
Softbound
Printed in the United States
—
Winner, AIGA 50 Books/50 Covers

João Paul Feliciano
—
Cincinnati Museum of Art
2008
—
Matt Distel, Emily Mello, Raphaela Platow, Delfim Sardo and David Toop
—
104 pp
9.375 × 7.5 inches
Softbound
Printed in Portugal

Maira Kalman and Daniel Handler
—
Girls Standing on Lawns
-
Hurry Up and Wait
-
Weather, Weather
—
The Museum of Modern Art
2014–16
—
Edited by Sarah Hermanson Meister
—
64 pages, each
8.25 × 6.25 inches
Hardbound
Printed in Italy and Turkey
 

Photographs by JoAnn Verburg
—
The Museum of Modern Art
2007
—
Susan Kismaric
—
184 pages
10.75 × 9 inches
Hardbound
Printed in China